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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院千年虫二十二十噩梦马戏团鬼画符站在滑板上：利奥·贝克的故事冷暖群芳直言真相第二季富江无限制渡2025巍巍兴安岭恶搞之家第三季监狱犬计划三兄弟自然脉动骑单车的人儿子我心灿烂王志文版黑白局四平警事之英城惊雷家政妇看见了！游园惊梦拿开你的手青春小鸟花落莺啼春
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院千年虫二十二十噩梦马戏团鬼画符站在滑板上：利奥·贝克的故事冷暖群芳直言真相第二季富江无限制渡2025巍巍兴安岭恶搞之家第三季监狱犬计划三兄弟自然脉动骑单车的人儿子我心灿烂王志文版黑白局四平警事之英城惊雷家政妇看见了！游园惊梦拿开你的手青春小鸟花落莺啼春